Afghan Women's Writing Project

About a month ago I came across the Afghan Women's Writing Project, a website designed to give a voice and an international platform to women writing in Afghanistan, which is even now one of the most difficult countries for women to live in. The blog posts one or two pieces of writing a day, from creative writing or poetry to personal stories and accounts, and I find a lot of the writing simultaneously moving, heartbreaking or horrifying, and surprising, warm and hopeful. Alongside the testaments to abuse and repression and lack of freedoms are stories of hope, of women supported and encouraged by both male and female relatives, of people simply keeping hope and education alive even under the Taliban.

The story that first brought my attention to this site was "I am for sale, who will buy me?" via calls to try and save this young teacher of English from being sold to an abusive relative by her Talib brothers. But this same piece contains the story of the father who taught his daughter at home when it was illegal for her to go to school, who bought her books and encouraged her to learn and, later, to teach.

Others stories shared on AWWP include a profile of a female karate instructor, a girl whose letter to her parents persuaded them not to marry her off at 14 but allow her to enter higher education, a harrowing tale of escape from vengeful Taliban, and many other stories. As I say, both sobering atrocities and simple hope populate my news feeds in the morning thanks to this site. It's an excellent, eye-opening project.

Women and Poetry

In the Guardian blogs there has been a long discussion about women and poetry in response to an article by Frances Leviston headed This great poets list has only one woman. About right, too .

So, how can women who write poetry raise their public profile? Would you accept publication in an anthology of ‘women poets’?

Yes, because...

• positive discrimination is still needed.
• women’s poetry is seen as less serious and tends to be left out.
• women fail to network as well as men .
• women still tend to minimise their own achievements.
• women still lack confidence in their own abilities.

No, because...

• the work should stand on its own merits as good poetry.Gender is irrelevant. Quality is the thing.
• positive discrimination is another way of ghettoising women so that their poetry doesn't become mainstream.
• separate anthologies imply that women’s interests differ from men’s.
• we should be fighting for equal representation in the anthologies that are being made. (Although, aren't quotas just positive discrimination with a different hat?)
  

Any thoughts about this?